In the complex configurations, the preoccupation of the sculptor is with dynamic space/volume confrontations as they are operative within fields of forces. These fields are networks, interpenetrating currents of energy in processes of perpetual metamorphosis. The statue will only be animated when the spectator is in direct contact with it. As s/he enters into the act of seeing and making observations, as kinesthetic contact is made, a mental process is set into motion and then only are the force events revealed to be inherent in the perceived fields.

Various relational combinations can be observed within the force fields:

Primal centrifical patterns exchange centripetal and centrifugal forces emanating from the central point within a strongly compacted spherical mass.

There may be a bi-polar contest between ascent and descent.

Compressed energies emerge out of the generative solid rock.

Or the rock is transformed into an intricately sculpted triad.